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"Leaving The Tea Party was like a revelation," Martin begins. "I had become so caught up in the business of the band that creatively I was drying up. I decided to take some time off and I realised then, the problem was I felt I had no control over my band anymore. Our label wanted us to make a more commercial-sounding album, and I just wasn't interested in doing that." It was 2005 when Martin decided to walk away from his Tea Party band mates, and something in his voice tells me he still has a lot of passion for the band, and perhaps carries some resentment of how it ended in a quite unnatural way. "It left me feeling very emotionally scarred and like I had to rediscover my passion for music. It turned into big business and that killed it for me."
It's a too often recurring story with bands that their music becomes second to the whims of labels demands, but I wonder what became of the relationships between the three members of the Tea Party. "We just stopped communicating, and I didn't feel that they (Stuart Chatwood and Jeff Burrows) were doing anything to challenge the demands of what was expected from us by the label. Anyway I needed to regain control over my own life and music, so stepping away from the band was a really important part of that." Martin took his break in Cork, Ireland and ended up staying long-term. He befriended blues legend Roy Harper after the two met in a bar. Harper proved to be the stimulation Martin needed to work through his creative block. "Roy and I shared a love of Led Zeppelin, and Page and Plant are my reason to be, they are why I wanted to be in a band in the first place. Talking with him (Roy) helped me see my strengths again as an artist. He was also the only person I knew in Ireland, so living there I didn't have the distractions around me that had become part of everyday life in The Tea Party."
Growing up in Ontario, Canada, Jeff remembers the shocking boredom of his hometown. He was drawn to the traditional sounds of India and the Middle East - an exotic mental escape which he has successfully made part of his stock and trade. "As a kid, I remember thinking that just over that bridge (The Ambassador) is Detroit with its happening rock and blues scene, and I couldn't wait to see it for myself. I was always looking elsewhere for music to blow my mind, and so I gravitated to that (the Detroit scene) and this weird out-of-this-world Moroccan sound."
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"I've always been interested in the esoteric side of life. (When I wrote that) I was thinking of the story of Robert Johnson at the cross-roads selling his soul to the devil in exchange for the ability to play the blues. Blues music, which I'm a big fan of, was really always the devil's music to me. I'm not going to get into the whole theology debate but from a creative standpoint, spirituality and music are closely matched." The song hints at a writer who has been to the dark depths and survived. On Chinese Whispers there's a nod towards traditional sea shanties: "…I've played chess with Davey Jones/He stripped me to my skin and bones/She said baby I'm walking on water towards the shore…" Perhaps his stay in the emerald isle had Jeff delving into books on maritime folklore? "Yeah, I mean it all just ties into the whole Armada thing. I wanted the imagery to match the music to some degree." The imagery is salty sea dogs and galleons firing on other galleons, it's all very rum, sodomy and the lash. I can't help finishing our discussion by asking what Australian customs (if any) has Jeff picked up since moving here. "Hmmm… Good question. The only thing I can think of is whenever I go out and get a little trashed I find myself craving vegemite on toast. (laughs) …Then a Berocca in the morning. Australia seems to be the only place you can get Berocca." Good hangover cures are our contribution to the world. Jeff's contribution to the world right now is The Armada. One of his best moves yet, and one for Tea Party fans to celebrate. Martin's references are not too distant from previous works and fans can look forward to hearing a few Tea Party songs in the Armada concert. The difference now is that Martin can relax and let his muse take him where it wants to without the creative restrictions and bad business that ultimately finished off The Tea Party. It's smooth sailing from here on, captain!
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